Wow. When I get busy, I get busy. Haven’t had much time to do much of anything lately. Work is going nuts. And it’s worse for Suzanne. She was at the agency until 5:00 a.m. last night and then came right back with me at 9:00. Why is it that doctors and lawyers and bankers and all the other important, necessary professions work normal hours, have social lives and children and people who work in the arts always live at their friggin’ desks? I’ve never understood that.
Anyway, the other night I was here late (as I am tonight) and I had some time to kill while I waited for something. I fought the almost uncontrollable urge to sketch and instead started writing out my story. Jeff Parker gave me some great advice on how to get started and, though I haven’t quite worked everything out yet, the technique he suggested has really worked wonders. I usually write everything out in my head before I get started, beginning to end, and it takes forever for me to actually start typing. So this was a new experience for me. One of the earliest scenes was something I was dreading because I didn’t know quite how to handle it. As I was typing, it just spilled out onto the keyboard. It’s also been a blast writing something new instead of constantly reworking the same four or five concepts I’ve been toying with since college. I’ve finally let most of them go and it’s been very liberating. Writing a new story has been very exciting and refreshing. And the fact that it’s horror (well, more Terence Fisher than Eli Roth), something new to me, is a lot of fun.
One of the roadblocks for me has always been the fact that I’m not confident enough in my art to write stuff I don’t think I can pull off. But in this case, I’ve tossed that aside and I’m pretending I’m writing for someone else. I’m just going nuts with it and throwing in all kinds of moody stuff I don’t think I can draw. I’ll probably hate myself later but, as Leaf would say, “bucket.”
Unfortunately, work has kicked in and with all the Christmas crap (Um, I mean stuff, honey! I love Christmas! Honest!) I’m not really able to spend much time on it. Worse, I’ve stalled out on the Perhapanauts pinup. I have to use the light table at home for my final pencils and, since I’m virtually trapped at work and in Durham, drawing is a luxury lately. Still, I promised I’d post the second rough, so here it is:
I tried to fix the weird tangents Craig Rousseau pointed out and I fleshed out some things a little more. I also tried to make the Megalodon a little more fearsome. Most importantly, I fixed Big’s pose. In the first one, his legs were a little awkward and I don’t know what the hell I was doing with his left hand. Here, I’ve switched the dipper to his left hand to give it something to do and made a fist with his right to make him more, I don’t know, manly? I drew this rough with an Ebony pencil and those things are great for quick sketching. They just glide over the paper. I love how the shadows on the deck came out. (Yeah, I know the shadows on the barrels are messed up. I’ll fix that.) I wish I could transfer that effect to the finished pencils but I usually use a lighter, thinner lead for the finals so they won’t smudge and everything’s coming out very tight. While I think it’s looking pretty good, the final pencils are losing some of the energy I like in this one. I guess I’ll never be Darwyn Cooke. Sigh.
Okay, back to work. Gotta make the world safe for advertisers.
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